Pretty simple idea today, brought on by the cryonic heads episode of Fringe. This campaign premise is intended as something of a bait-and-switch, so you should inform your players that it’s a mystery and that they should hopefully trust you and roll with it.
What the players don’t know initially (but will piece together through the course of the scenario) is that they were cryogenically frozen after death. The initial scenario takes place in a computer simulation designed to repair the characters’ brains before releasing them into the high-tech future. That is, the entire game is an elaborate prologue for a “modern characters awake in a sci-fi setting” game. Nova Praxis is probably perfect for this, and the text below assumes a build of Fate, but really anything works. You can subtly adjust the questions to change up the scenario (e.g., maybe it’s a fantasy/horror setting and this is all a prelude to them getting resurrected after being long dead).
Why bother? Because it’s often easier to introduce a setting with vastly different and complex background details with fish-out-of-water modern characters that aren’t expected to know anything the audience doesn’t, and that’s generally hard to do with sci-fi settings. Further, it’s often hard for you to get certain players to give you deep insight into their character psychology without running them through a system that’s all about their psychology.
Also, every time we entertain in fiction that all those frozen rich geeks are getting resurrected in the future, it justifies it just a little bit for them🙂 .
This uses a standard build of Don’t Rest Your Head. Obviously, the circumstances of the City will be different. This isn’t a place that’s exactly out to get the characters, so much as trying to get them to remember. But they’re suffering major brain damage/freezer burn being slowly repaired, so a little horror may be a natural result of them trying to come to terms with their deaths and science-augmented rebirths.
Exhaustion represents the brain exerting itself to be repaired, having a harder and harder time staying cogent in this electrically-stimulated half-life. The Exhaustion Talent should ultimately map to the character’s top skill when built in Fate.
Madness represents the character rebelling against what is in many ways a cross between the Matrix and a lucid dream, making things happen not really intended by the scenario, and the Madness Talent represents an especially powerful glitch that the character can use. The talent may or may not map to a stunt when built in Fate.
Crashing or Snapping may be temporary setbacks, or may indicate that the character’s brain cannot be saved, depending on whether you’re really just running a prelude and you want them all to move on, or whether you want them to work for it.
Pain and all its attendant problems represents the characters’ own subconscious nihilism: the monsters are almost entirely their own reasons for thinking they don’t deserve to come back from the dead. It should probably be rather like Silent Hill, a lot of the time.
- How’d you make your money? (Even if they don’t remember it, all the characters were rich enough to pay to be cryogenically preserved. If someone chooses to answer this in a way that negates the question, then you get to invent the weird circumstances for why someone else decided to pay to put them on ice.)
- Why do you want to live? (This should hopefully tease out why the characters paid to be preserved without giving the game totally away.)
- Why are you afraid you deserve to die? (This gives you fuel for designing the Pain creatures the characters will face.)
- What’s your biggest secret? (Another issue to be resolved by Pain.)
- What’s the last thing you remember? (A twist on the standard What Just Happened question, this actually indicates a moment before the character died, but which will be built upon by the simulation. You should encourage the players to be somewhat stressful or sinister, but less weird and horrible than normal for DRYH.)
Depending on how they answered the questions, the easiest way to go is probably The Game through Silent Hill through The Matrix/Dark City.
That is, start to build up an initial wrong impression that they were kidnapped for something related to their money. The final memory in reality was a significant memory not too long before the character died, but probably didn’t actually mean anything sinister. But here, it suddenly is full of portent and gets spun out into a different logical path. Especially if you have the characters all start out together in a locked room, it probably won’t be long before they decide that they’re all rich and must have been kidnapped.
Before too long, they should start to see cracks showing in the belief that this is a simple kidnapping. Set the nightmare nob to the level you’re comfortable with, and all the dark entities they run into should gradually resolve into being elements from each of the characters’ fractured psyches. They should probably get the impression that they’re in a Purgatory of their own sins and psychodramas.
But they have superpowers, taxing though they are. As they deal with threats, the seams of the simulation should become more and more apparent. This is a scenario constructed of advanced but still limited technology: the AI isn’t as smart as they are and the playspace isn’t infinite; monsters can be tricked, NPCs are strangely lacking in complexity, and doors can’t be opened or loop back around. Towards the end, they have probably figured out they’re in a box and are just trying to figure out the key.
They key is defining their Aspects. Whichever build of Fate you’re using, figure out the number and categories of the Aspects that are needed (e.g., High Concept and Trouble plus others or the Aspect alphabet in Strands of Fate/Nova Praxis). Try to herd the players into situations where they might exemplify something about their natures. When someone does something dramatic and personal that might fit into an Aspect category, break the fourth wall and ask them a question (possibly including the simplified adjective that you think might make a good Aspect, e.g., “Are you always this Strong?”).
The goal is to get the player to respond with a full sentence that becomes an Aspect (rather than just a yes or no; e.g., “When I need to, I can move mountains!”). When that happens, very visibly write down what the player just said, while just nodding and moving on if you get a simple affirmation or negation. The players should pretty quickly pick up that they’re meant to be answering the questions with style.
Try to make sure the scenario targets players in a way that keeps the questions answered with Aspects even, so they can basically all get their total number of Aspects at the same time (possibly with one final set of questions before the walls come down). Once they all have their full allotment of Aspects, the simulation has successfully rebuilt their personalities, and they can be decanted into new bodies (or just a virtual lobby as the scientists explain what actually happened and give them a full range of output options) and make their characters in Fate.
Then, shortly afterwards, they can have an exciting scene of bitching at a bunch of resurrection techs for what they were just put through.